After finding a typographic portrait of Christopher Hitchens, created out of Gill Sans letters by Miles Chic at Capilano University, I thought to resurrect software I wrote a long time ago that converts images into letters and expanding traditional ASCII art by using
The representation of images by characters—ASCII art—has a long history. ASCII art extends the emoticon (or smiley) to represent a larger piece of work. Typically, the works use a fixed-space font (e.g. Courier), originally designed for display on a terminal. Despite the sophistication of computer graphics today, ASCII art continues to have a strong following with new work continually added to public online galleries.
Photos and paintings can be ASCIIfied using a tone-based approach and automated methods exist to do this (Paul D. O’Grady and Scott T. Rickard (2008) Automatic ASCII Art Conversion of Binary Images Using Non-Negative Constraints).
Many artists generate new creations, exclusive to the medium. Typically this kind of ASCII art is based on the interpretation of structure rather than tone—this method has also been automated (Xuemiao Xu, Linling Zhang, Tien-Tsin Wong (2010) Structure-based ASCII Art).
I have written code to generate ASCII art from images by using proportional spaced fonts.
Let's see how these methods work on a real image. Many ASCII art Mona Lisa versions exist. Below, I render the Mona Lisa with Pragmata, Gotham Book and 8 weights of Gotham.
Two-tone shapes like the S in the figure above require selecting characters that match the structure of the image. (e.g. "|" matches vertical lines). For a given character and image position there are four distinct match possibilities—a combination of whether the character and image have a signal at a position. I show this in the figure below.
By maximizing scores derived from matches (s1, s3) and minimizing any penalties (s2, s4), a character is identified based on maximal coverage of the image region and minimum coverage of areas that are blank.
When proportional text is used, edges are better approximated, such as in the Homer Simpson example below which uses Gotham Book.
Images that are not two-tone require that we match both structure and tone. Structure is approximated by the choice of character, while tone by choice of font weight. To select the best character based on tone, the character's average tone is compared to the average tone of the section of the image to which it is being compared.
It is possible to combine both structure and tone metrics in character selection. Below is an example of how an image with both tone and structure is interpreted as the tone and structure score weights are varied. The balance between these two metrics can be very hard to find—it greatly depends on the image. Tone-based mapping works well when font size is small and the image is viewed from larger distance—in this case, characters play the role of individual pixels with varying brightness. Structure-based mapping works with larger type and closer viewing distance.
Continuous tone bitmaps are an idea application of multi-font ASCII art—images no longer need to be thresholded or dithered.
ASCII art is generated by dividing the image into a grid and finding the letter (the choice of characters is often expanded to include punctuation) that best matches the grid section. Typically, for each grid the entire set of allowable characters is sampled. Instead, we can limit the choice of character by successively sampling from a fixed string.
rendered with the fixed string "monalisa" using 8 weights of Gotham.
Things get even more interesting when the text is angled.
The image can be textured with multiple layers of ASCII art. In the example below, four layers of text are used, each with a different font size.
Instead of varying size, the angle of the text can be changed among layers. This results in a pattern reminiscent of a halftone.
An image can be asciified several times, with each iteration the asciified output of the previous step used as input for the next. At each step, the font size should be reduced to s → √s.
The artwork was created in collaboration with my colleagues at the Genome Sciences Center to celebrate the 5 year anniversary of the Personalized Oncogenomics Program (POG).
The Personal Oncogenomics Program (POG) is a collaborative research study including many BC Cancer Agency oncologists, pathologists and other clinicians along with Canada's Michael Smith Genome Sciences Centre with support from BC Cancer Foundation.
The aim of the program is to sequence, analyze and compare the genome of each patient's cancer—the entire DNA and RNA inside tumor cells— in order to understand what is enabling it to identify less toxic and more effective treatment options.
Principal component analysis (PCA) simplifies the complexity in high-dimensional data by reducing its number of dimensions.
To retain trend and patterns in the reduced representation, PCA finds linear combinations of canonical dimensions that maximize the variance of the projection of the data.
PCA is helpful in visualizing high-dimensional data and scatter plots based on 2-dimensional PCA can reveal clusters.
Altman, N. & Krzywinski, M. (2017) Points of Significance: Principal component analysis. Nature Methods 14:641–642.
Altman, N. & Krzywinski, M. (2017) Points of Significance: Clustering. Nature Methods 14:545–546.
To achieve a `k` index for a movement you must perform `k` unbroken reps at `k`% 1RM.
The expected value for the `k` index is probably somewhere in the range of `k = 26` to `k=35`, with higher values progressively more difficult to achieve.
In my `k` index introduction article I provide detailed explanation, rep scheme table and WOD example.
The effect is intriguing and facetious—yes, those are real words.
But these are not: necronology, abobionalism, gabdologist, and nonerify.
These places only exist in the mind: Conchar and Pobacia, Hzuuland, New Kain, Rabibus and Megee Islands, Sentip and Sitina, Sinistan and Urzenia.
And these are the imaginary afflictions of the imagination: ictophobia, myconomascophobia, and talmatomania.
And these, of the body: ophalosis, icabulosis, mediatopathy and bellotalgia.
Want to name your baby? Or someone else's baby? Try Ginavietta Xilly Anganelel or Ferandulde Hommanloco Kictortick.
When taking new therapeutics, never mix salivac and labromine. And don't forget that abadarone is best taken on an empty stomach.
And nothing increases the chance of getting that grant funded than proposing the study of a new –ome! We really need someone to looking into the femome and manome.