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visualization + design
`pi` Day 2013 Art Posters
On March 14th celebrate `\pi` Day. Hug `\pi`—find a way to do it.
For those who favour `\tau=2\pi` will have to postpone celebrations until July 26th. That's what you get for thinking that `\pi` is wrong. I sympathize with this position and have `\tau` day art too!
If you're not into details, you may opt to party on July 22nd, which is `\pi` approximation day (`\pi` ≈ 22/7). It's 20% more accurate that the official `\pi` day!
Finally, if you believe that `\pi = 3`, you should read why `\pi` is not equal to 3.
2013 was the first year in which I made `\pi` day art. It was a year of dots and love.
René Hansen has created an interactive version of this year's posters! Why not go to the Feynman point directly!
shimmering dots
The posters explore the relationship between adjacent digits in `\pi`, which are encoded by color using the scheme shown above. The design appears to shimmer due to the luminance effect. In some versions of the poster, adjacent identical (or similar) digits are connected by lines.
The recipe for each poster is included in its figure legend. It gives the color of the `i`th outer and inner circles. `\pi_i` is used to represent the `i`th digit of `\pi`. For example, the recipe
`\pi_i` / `\pi_{i+1}`
corresponds to the case where outer circle color encodes the `i`th digit and the inner circle color encodes the next digit `i+1`th. In this scheme, inner and outer circles of adjacent positions have the same color.
The posters were generated automatically with a Perl script that generated SVG files. Post processing and layout was done in Illustrator. If you are interested in depicting your favourite number this way, let me know.
The design was inspired by the beautiful AIDS posters by Elena Miska.
love in `\pi`—you can find it here
I calculated `pi` to 13,099,586 digits and then I found love.
It's fun to look for digits or look for words in `\pi`.
Just don't get carried away. Because `\pi` is likely normal in base 10, all words and all patterns appear in it, somewhere.
I wanted to know the first time that "love" appears in `\pi`. When encoded using the scheme a=0, b=1, ..., z=25, "love" is the digit sequence 1114214.
This sequence appears first at position 13,099,586 (...892199163111142148187311392...). And, of course, infinitely many times after that.
Curiously, "hate" (0700194) appears well before love, at digit 514,717. In the first 200,000,000 digit "hate" appears 23 times, 6 times more than "love".
If you use the scheme a=1, b=2, ..., z=26, then "love" becomes 1215225. This is first seen at 6,317,696 (...610311912912152256606850141...).
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news + thoughts
Cancer Cell cover
My cover design on the 11 April 2022 Cancer Cell issue depicts depicts cellular heterogeneity as a kaleidoscope generated from immunofluorescence staining of the glial and neuronal markers MBP and NeuN (respectively) in a GBM patient-derived explant.
LeBlanc VG et al. Single-cell landscapes of primary glioblastomas and matched explants and cell lines show variable retention of inter- and intratumor heterogeneity (2022) Cancer Cell 40:379–392.E9.
Browse my gallery of cover designs.
Nature Biotechnology cover
My cover design on the 4 April 2022 Nature Biotechnology issue is an impression of a phylogenetic tree of over 200 million sequences.
Konno N et al. Deep distributed computing to reconstruct extremely large lineage trees (2022) Nature Biotechnology 40:566–575.
Browse my gallery of cover designs.
Nature cover — Gene Genie
My cover design on the 17 March 2022 Nature issue depicts the evolutionary properties of sequences at the extremes of the evolvability spectrum.
Vaishnav ED et al. The evolution, evolvability and engineering of gene regulatory DNA (2022) Nature 603:455–463.
Browse my gallery of cover designs.
Happy 2022 `\pi` Day—
three one four: a number of notes
Celebrate `\pi` Day (March 14th) and finally hear what you've been missing.
“three one four: a number of notes” is a musical exploration of how we think about mathematics and how we feel about mathematics. It tells stories from the very beginning (314…) to the very (known) end of π (...264) as well as math (Wallis Product) and math jokes (Feynman Point), repetition (nn) and zeroes (null).
The album is scored for solo piano in the style of 20th century classical music – each piece has a distinct personality, drawn from styles of Boulez, Feldman, Glass, Ligeti, Monk, and Satie.
Each piece is accompanied by a piku (or πku), a poem whose syllable count is determined by a specific sequence of digits from π.
Check out art from previous years: 2013 `\pi` Day and 2014 `\pi` Day, 2015 `\pi` Day, 2016 `\pi` Day, 2017 `\pi` Day, 2018 `\pi` Day, 2019 `\pi` Day, 2020 `\pi` Day and 2021 `\pi` Day.
PNAS Cover — Earth BioGenome Project
My design appears on the 25 January 2022 PNAS issue.
The cover shows a view of Earth that captures the vision of the Earth BioGenome Project — understanding and conserving genetic diversity on a global scale. Continents from the Authagraph projection, which preserves areas and shapes, are represented as a double helix of 32,111 bases. Short sequences of 806 unique species, sequenced as part of EBP-affiliated projects, are mapped onto the double helix of the continent (or ocean) where the species is commonly found. The length of the sequence is the same for each species on a continent (or ocean) and the sequences are separated by short gaps. Individual bases of the sequence are colored by dots. Species appear along the path in alphabetical order (by Latin name) and the first base of the first species is identified by a small black triangle.
Lewin HA et al. The Earth BioGenome Project 2020: Starting the clock. (2022) PNAS 119(4) e2115635118.
The COVID charts — hospitalization rates
As part of the COVID Charts series, I fix a muddled and storyless graphic tweeted by Adrian Dix, Canada's Health Minister.
I show you how to fix color schemes to make them colorblind-accessible and effective in revealing patters, how to reduce redundancy in labels (a key but overlooked part of many visualizations) and how to extract a story out of a table to frame the narrative.
