resources
visualizations
presentations
lunch break
Distractions and amusements, with a sandwich and coffee.
visualization + design
`pi` Day 2013 Art Posters
On March 14th celebrate `\pi` Day. Hug `\pi`—find a way to do it.
For those who favour `\tau=2\pi` will have to postpone celebrations until July 26th. That's what you get for thinking that `\pi` is wrong.
If you're not into details, you may opt to party on July 22nd, which is `\pi` approximation day (`\pi` ≈ 22/7). It's 20% more accurate that the official `\pi` day!
Finally, if you believe that `\pi = 3`, you should read why `\pi` is not equal to 3.
2013 was the first year in which I made `\pi` day art. It was a year of dots and love.
René Hansen has created an interactive version of this year's posters! Why not go to the Feynman point directly!
shimmering dots
The posters explore the relationship between adjacent digits in `\pi`, which are encoded by color using the scheme shown above. The design appears to shimmer due to the luminance effect. In some versions of the poster, adjacent identical (or similar) digits are connected by lines.
The recipe for each poster is included in its figure legend. It gives the color of the `i`th outer and inner circles. `\pi_i` is used to represent the `i`th digit of `\pi`. For example, the recipe
`\pi_i` / `\pi_{i+1}`
corresponds to the case where outer circle color encodes the `i`th digit and the inner circle color encodes the next digit `i+1`th. In this scheme, inner and outer circles of adjacent positions have the same color.
The posters were generated automatically with a Perl script that generated SVG files. Post processing and layout was done in Illustrator. If you are interested in depicting your favourite number this way, let me know.
The design was inspired by the beautiful AIDS posters by Elena Miska.
love in `\pi`—you can find it here
I calculated `pi` to 13,099,586 digits and then I found love.
It's fun to look for digits or look for words in `\pi`.
Just don't get carried away. Because `\pi` is likely normal in base 10, all words and all patterns appear in it, somewhere.
I wanted to know the first time that "love" appears in `\pi`. When encoded using the scheme a=0, b=1, ..., z=25, "love" is the digit sequence 1114214.
This sequence appears first at position 13,099,586 (...892199163111142148187311392...). And, of course, infinitely many times after that.
Curiously, "hate" (0700194) appears well before love, at digit 514,717. In the first 200,000,000 digit "hate" appears 23 times, 6 times more than "love".
If you use the scheme a=1, b=2, ..., z=26, then "love" becomes 1215225. This is first seen at 6,317,696 (...610311912912152256606850141...).
news + thoughts
Oryza longistaminata genome cake
Data visualization should be informative and, where possible, tasty.
Stefan Reuscher from Bioscience and Biotechnology Center at Nagoya University celebrates a publication with a Circos cake.
The cake shows an overview of a de-novo assembled genome of a wild rice species Oryza longistaminata.
Optimal experimental design
Customize the experiment for the setting instead of adjusting the setting to fit a classical design.The presence of constraints in experiments, such as sample size restrictions, awkward blocking or disallowed treatment combinations may make using classical designs very difficult or impossible.
Optimal design is a powerful, general purpose alternative for high quality, statistically grounded designs under nonstandard conditions.
We discuss two types of optimal designs (D-optimal and I-optimal) and show how it can be applied to a scenario with sample size and blocking constraints.
Smucker, B., Krzywinski, M. & Altman, N. (2018) Points of significance: Optimal experimental design Nature Methods 15:599–600.
Background reading
Krzywinski, M., Altman, N. (2014) Points of significance: Two factor designs. Nature Methods 11:1187–1188.
Krzywinski, M. & Altman, N. (2014) Points of significance: Analysis of variance (ANOVA) and blocking. Nature Methods 11:699–700.
Krzywinski, M. & Altman, N. (2014) Points of significance: Designing comparative experiments. Nature Methods 11:597–598.
The Whole Earth Cataloguer
All the living things.An illustration of the Tree of Life, showing some of the key branches.
The tree is drawn as a DNA double helix, with bases colored to encode ribosomal RNA genes from various organisms on the tree.
All living things on earth descended from a single organism called LUCA (last universal common ancestor) and inherited LUCA’s genetic code for basic biological functions, such as translating DNA and creating proteins. Constant genetic mutations shuffled and altered this inheritance and added new genetic material—a process that created the diversity of life we see today. The “tree of life” organizes all organisms based on the extent of shuffling and alteration between them. The full tree has millions of branches and every living organism has its own place at one of the leaves in the tree. The simplified tree shown here depicts all three kingdoms of life: bacteria, archaebacteria and eukaryota. For some organisms a grey bar shows when they first appeared in the tree in millions of years (Ma). The double helix winding around the tree encodes highly conserved ribosomal RNA genes from various organisms.
Johnson, H.L. (2018) The Whole Earth Cataloguer, Sactown, Jun/Jul, p. 89
Why we can't give up this odd way of typing
All fingers report to home row.An article about keyboard layouts and the history and persistence of QWERTY.
My Carpalx keyboard optimization software is mentioned along with my World's Most Difficult Layout: TNWMLC. True typing hell.
McDonald, T. (2018) Why we can't give up this odd way of typing, BBC, 25 May 2018.
Molecular Case Studies Cover
The theme of the April issue of Molecular Case Studies is precision oncogenomics. We have three papers in the issue based on work done in our Personalized Oncogenomics Program (POG).
The covers of Molecular Case Studies typically show microscopy images, with some shown in a more abstract fashion. There's also the occasional Circos plot.
I've previously taken a more fine-art approach to cover design, such for those of Nature, Genome Research and Trends in Genetics. I've used microscopy images to create a cover for PNAS—the one that made biology look like astrophysics—and thought that this is kind of material I'd start with for the MCS cover.
Happy 2018 `\tau` Day—Art for everyone
