Martin Krzywinski / Genome Sciences Center / mkweb.bcgsc.ca Martin Krzywinski / Genome Sciences Center / mkweb.bcgsc.ca - contact me Martin Krzywinski / Genome Sciences Center / mkweb.bcgsc.ca on Twitter Martin Krzywinski / Genome Sciences Center / mkweb.bcgsc.ca - Lumondo Photography Martin Krzywinski / Genome Sciences Center / mkweb.bcgsc.ca - Pi Art Martin Krzywinski / Genome Sciences Center / mkweb.bcgsc.ca - Hilbertonians - Creatures on the Hilbert Curve
Poetry is just the evidence of life. If your life is burning well, poetry is just the ashLeonard Cohenburn somethingmore quotes

In Silico Flurries: Computing a world of snow. Scientific American. 23 December 2017


visualization + design

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
The 2018 Pi Day art celebrates the 30th anniversary of `\pi` day and connects friends stitching road maps from around the world. Pack a sandwich and let's go!

`\pi` Approximation Day Art Posters


Pi Day 2014 Art Poster - Folding the Number Pi
 / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
2018 `\pi` day shrinks the world and celebrates road trips by stitching streets from around the world together. In this version, we look at the boonies, burbs and boutique of `\pi` by drawing progressively denser patches of streets. Let's go places.

Pi Day 2014 Art Poster - Folding the Number Pi
 / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
2017 `\pi` day

Pi Day 2014 Art Poster - Folding the Number Pi
 / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
2016 `\pi` approximation day

Pi Day 2014 Art Poster - Folding the Number Pi
 / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
2016 `\pi` day

Pi Day 2014 Art Poster - Folding the Number Pi
 / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
2015 `\pi` day

Pi Day 2014 Art Poster - Folding the Number Pi
 / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
2014 `\pi` approx day

Pi Day 2014 Art Poster - Folding the Number Pi
 / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
2014 `\pi` day

Pi Day 2014 Art Poster - Folding the Number Pi
 / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
2013 `\pi` day

Pi Day 2014 Art Poster - Folding the Number Pi
 / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Circular `\pi` art

The never-repeating digits of `\pi` can be approximated by 22/7 = 3.142857 to within 0.04%. These pages artistically and mathematically explore rational approximations to `\pi`. This 22/7 ratio is celebrated each year on July 22nd. If you like hand waving or back-of-envelope mathematics, this day is for you: `\pi` approximation day!

Want more math + art? Discover the Accidental Similarity Number. Find humor in my poster of the first 2,000 4s of `\pi`.

There are two kinds of `\pi` Approximation Day posters.

The first uses the Archimedean spiral for its design, which I've used before for other numerical art. The second packs warped circles, whose ratio of circumference to average diameter is `22/7` into what I call `\pi`-approximate circular packing.

As you probably know, the ratio of the circumference of a circle to its diameter is `\pi`. $$ C / d = \pi $$

For `\pi` approximation day, let's ask what would happen if $$ C / d = 22/7 $$

where now `C` is the circumference of some shape other than a circle. What could this shape be?

A good place to start is to think about an ellipse. I've done this before in the 22/7 Universe article, in which I considered an ellipse with a major axis of `r+\delta` and a minor axis of `r` and solved for `\delta` such that the circumference of the ellipse divided by `2 r` would be `22/7`. Doing so means numerically solving the equation $$ \frac{C(r,r+\delta)}{2r} = 22/7 $$

where `r + \delta` is the major axis, `r` is the minor axis and `C(r,r+\delta)` is the circumference of the ellipse. Substituting the expression for the circumference, $$ 4(r+\delta) \int_0^{\pi/2} \sqrt { 1 - \left(1-\frac{r}{(r+\delta)^2}\right)\sin^2 \theta } d \theta = 2 r \frac{22}{7}$$

If we set `r=1` and solve it turns out that only a very minor deformation is required and `\delta = 0.0008`. You can verify this at Wolfram Alpha.

I wanted to make some art based on the shape of the this ellipse, but a deformation of 0.08% is not perceptible. So I came up with a slightly different approach to how I define the original circumference-to-diameter ratio.

Instead of treating the diameter as `r` and using `r + \delta` as the major axis, I now define the diameter as twice the average radius, or `2r + \delta`. This means that the equation to solve is $$ \frac{C(r,r+\delta)}{2r+\delta} = 22/7 $$

As before, setting `r=1` and substituting the expression for the circumference of an ellipse, we get $$ 4(1+\delta) \int_0^{\pi/2} \sqrt { 1 - \left(1-\frac{1}{(1+\delta)^2}\right)\sin^2 \theta } d \theta = (2+\delta) \frac{22}{7}$$

and solving this for `\delta` find $$ \delta = 0.083599769... $$

You can verify this at Wolfram Alpha.

This is a more useable approach since an 8% warping of a circle can be easily perceived.

Pi Approximation Day Art Poster / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
The ratio of the circumference of a circle, `C(r)`, to its dimameter, `2r`, is `\pi`. If we warp the circle by 8%, the corresponding ratio, if we use twice the average radius as the diameter, is 22/7. This deformation can be easily identified.

Below is matrix of perfect circles along side the 8% deformed circles.

Pi Approximation Day Art Poster / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
A matrix of perfect circles and ones which have been stretched by 8% along one axis and then randomly rotated. The deformed circles embody the `\pi` approximation of 22/7.

The art posters are based on a packing of these deformed circles.

Pi Approximation Day Art Poster / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Warped circles, packed.
Pi Approximation Day Art Poster / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Even more warped circles, packed.

By superimposing perfect circles on the warped circles, fun patterns appear.

Pi Approximation Day Art Poster / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Superposition of perfect and warped circles, packed.

perfect vs approximate packing

If you pack perfect circles perfectly, the area occupied by the circles is `\pi/4 = 78.5%`.

What is the area occupied by perfect packing of warped and randomly rotated (like in the posters) circles?

color scheme

To motivate choice of colors, I chose images with a 1970's feel.

Pi Approximation Day Art Poster / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Images used for color schemes. The colors of each image were grouped into clusters—8 for the first two images and 6 for the third—to obtain proportions of representative colors.

Using my color summarizer, I analyzed each image for its representative colors. Using these colors and their proportions, I colored the perfect and warped circles.

Pi Approximation Day Art Poster / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Packed warped circles colored in proportion to color schemes derived from the images above.

For each poster of these color schemes, two poster versions are available. In one, the perfect cirlces are shown with warped circles as a clip mask. In the other, warped circles are shown, clipped by perfect circles.

VIEW ALL

news + thoughts

Predicting with confidence and tolerance

Wed 07-11-2018
I abhor averages. I like the individual case. —J.D. Brandeis.

We focus on the important distinction between confidence intervals, typically used to express uncertainty of a sampling statistic such as the mean and, prediction and tolerance intervals, used to make statements about the next value to be drawn from the population.

Confidence intervals provide coverage of a single point—the population mean—with the assurance that the probability of non-coverage is some acceptable value (e.g. 0.05). On the other hand, prediction and tolerance intervals both give information about typical values from the population and the percentage of the population expected to be in the interval. For example, a tolerance interval can be configured to tell us what fraction of sampled values (e.g. 95%) will fall into an interval some fraction of the time (e.g. 95%).

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Nature Methods Points of Significance column: Predicting with confidence and tolerance. (read)

Altman, N. & Krzywinski, M. (2018) Points of significance: Predicting with confidence and tolerance Nature Methods 15:843–844.

Background reading

Krzywinski, M. & Altman, N. (2013) Points of significance: Importance of being uncertain. Nature Methods 10:809–810.

4-day Circos course

Wed 31-10-2018

A 4-day introductory course on genome data parsing and visualization using Circos. Prepared for the Bioinformatics and Genome Analysis course in Institut Pasteur Tunis, Tunis, Tunisia.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Composite of the kinds of images you will learn to make in this course.

Oryza longistaminata genome cake

Mon 24-09-2018

Data visualization should be informative and, where possible, tasty.

Stefan Reuscher from Bioscience and Biotechnology Center at Nagoya University celebrates a publication with a Circos cake.

The cake shows an overview of a de-novo assembled genome of a wild rice species Oryza longistaminata.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Circos cake celebrating Reuscher et al. 2018 publication of the Oryza longistaminata genome.

Optimal experimental design

Tue 31-07-2018
Customize the experiment for the setting instead of adjusting the setting to fit a classical design.

The presence of constraints in experiments, such as sample size restrictions, awkward blocking or disallowed treatment combinations may make using classical designs very difficult or impossible.

Optimal design is a powerful, general purpose alternative for high quality, statistically grounded designs under nonstandard conditions.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Nature Methods Points of Significance column: Optimal experimental design. (read)

We discuss two types of optimal designs (D-optimal and I-optimal) and show how it can be applied to a scenario with sample size and blocking constraints.

Smucker, B., Krzywinski, M. & Altman, N. (2018) Points of significance: Optimal experimental design Nature Methods 15:599–600.

Background reading

Krzywinski, M., Altman, N. (2014) Points of significance: Two factor designs. Nature Methods 11:1187–1188.

Krzywinski, M. & Altman, N. (2014) Points of significance: Analysis of variance (ANOVA) and blocking. Nature Methods 11:699–700.

Krzywinski, M. & Altman, N. (2014) Points of significance: Designing comparative experiments. Nature Methods 11:597–598.

The Whole Earth Cataloguer

Mon 30-07-2018
All the living things.

An illustration of the Tree of Life, showing some of the key branches.

The tree is drawn as a DNA double helix, with bases colored to encode ribosomal RNA genes from various organisms on the tree.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
The circle of life. (read, zoom)

All living things on earth descended from a single organism called LUCA (last universal common ancestor) and inherited LUCA’s genetic code for basic biological functions, such as translating DNA and creating proteins. Constant genetic mutations shuffled and altered this inheritance and added new genetic material—a process that created the diversity of life we see today. The “tree of life” organizes all organisms based on the extent of shuffling and alteration between them. The full tree has millions of branches and every living organism has its own place at one of the leaves in the tree. The simplified tree shown here depicts all three kingdoms of life: bacteria, archaebacteria and eukaryota. For some organisms a grey bar shows when they first appeared in the tree in millions of years (Ma). The double helix winding around the tree encodes highly conserved ribosomal RNA genes from various organisms.

Johnson, H.L. (2018) The Whole Earth Cataloguer, Sactown, Jun/Jul, p. 89

Why we can't give up this odd way of typing

Mon 30-07-2018
All fingers report to home row.

An article about keyboard layouts and the history and persistence of QWERTY.

My Carpalx keyboard optimization software is mentioned along with my World's Most Difficult Layout: TNWMLC. True typing hell.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
TNWMLC requires seriously flexible digits. It’s 87% more difficult than using a standard Qwerty keyboard, according to Martin Krzywinski, who created it (Credit: Ben Nelms). (read)

McDonald, T. (2018) Why we can't give up this odd way of typing, BBC, 25 May 2018.