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The never-repeating digits of `\pi` can be approximated by `22/7 = 3.142857`

to within 0.04%. These pages artistically and mathematically explore rational approximations to `\pi`. This 22/7 ratio is celebrated each year on July 22nd. If you like hand waving or back-of-envelope mathematics, this day is for you: `\pi` approximation day!

Want more math + art? Discover the Accidental Similarity Number. Find humor in my poster of the first 2,000 4s of `\pi`.

There are two kinds of `\pi` Approximation Day posters.

The first uses the Archimedean spiral for its design, which I've used before for other numerical art. The second packs warped circles, whose ratio of circumference to average diameter is `22/7` into what I call `\pi`-approximate circular packing.

As you probably know, the ratio of the circumference of a circle to its diameter is `\pi`. $$ C / d = \pi $$

For `\pi` approximation day, let's ask what would happen if $$ C / d = 22/7 $$

where now `C` is the circumference of some shape other than a circle. What could this shape be?

A good place to start is to think about an ellipse. I've done this before in the 22/7 Universe article, in which I considered an ellipse with a major axis of `r+\delta` and a minor axis of `r` and solved for `\delta` such that the circumference of the ellipse divided by `2 r` would be `22/7`. Doing so means numerically solving the equation $$ \frac{C(r,r+\delta)}{2r} = 22/7 $$

where `r + \delta` is the major axis, `r` is the minor axis and `C(r,r+\delta)` is the circumference of the ellipse. Substituting the expression for the circumference, $$ 4(r+\delta) \int_0^{\pi/2} \sqrt { 1 - \left(1-\frac{r}{(r+\delta)^2}\right)\sin^2 \theta } d \theta = 2 r \frac{22}{7}$$

If we set `r=1` and solve it turns out that only a very minor deformation is required and `\delta = 0.0008`. You can verify this at Wolfram Alpha.

I wanted to make some art based on the shape of the this ellipse, but a deformation of 0.08% is not perceptible. So I came up with a slightly different approach to how I define the original circumference-to-diameter ratio.

Instead of treating the diameter as `r` and using `r + \delta` as the major axis, I now define the diameter as twice the average radius, or `2r + \delta`. This means that the equation to solve is $$ \frac{C(r,r+\delta)}{2r+\delta} = 22/7 $$

As before, setting `r=1` and substituting the expression for the circumference of an ellipse, we get $$ 4(1+\delta) \int_0^{\pi/2} \sqrt { 1 - \left(1-\frac{1}{(1+\delta)^2}\right)\sin^2 \theta } d \theta = (2+\delta) \frac{22}{7}$$

and solving this for `\delta` find $$ \delta = 0.083599769... $$

You can verify this at Wolfram Alpha.

This is a more useable approach since an 8% warping of a circle can be easily perceived.

Below is matrix of perfect circles along side the 8% deformed circles.

The art posters are based on a packing of these deformed circles.

By superimposing perfect circles on the warped circles, fun patterns appear.

If you pack perfect circles perfectly, the area occupied by the circles is `\pi/4 = 78.5%`.

What is the area occupied by perfect packing of warped and randomly rotated (like in the posters) circles?

To motivate choice of colors, I chose images with a 1970's feel.

Using my color summarizer, I analyzed each image for its representative colors. Using these colors and their proportions, I colored the perfect and warped circles.

For each poster of these color schemes, two poster versions are available. In one, the perfect cirlces are shown with warped circles as a clip mask. In the other, warped circles are shown, clipped by perfect circles.

The presence of constraints in experiments, such as sample size restrictions, awkward blocking or disallowed treatment combinations may make using classical designs very difficult or impossible.

Optimal design is a powerful, general purpose alternative for high quality, statistically grounded designs under nonstandard conditions.

We discuss two types of optimal designs (D-optimal and I-optimal) and show how it can be applied to a scenario with sample size and blocking constraints.

Smucker, B., Krzywinski, M. & Altman, N. (2018) Points of significance: Optimal experimental design *Nature Methods* **15**:599–600.

Krzywinski, M., Altman, N. (2014) Points of significance: Two factor designs. Nature Methods 11:1187–1188.

Krzywinski, M. & Altman, N. (2014) Points of significance: Analysis of variance (ANOVA) and blocking. Nature Methods 11:699–700.

Krzywinski, M. & Altman, N. (2014) Points of significance: Designing comparative experiments. Nature Methods 11:597–598.

An illustration of the Tree of Life, showing some of the key branches.

The tree is drawn as a DNA double helix, with bases colored to encode ribosomal RNA genes from various organisms on the tree.

All living things on earth descended from a single organism called LUCA (last universal common ancestor) and inherited LUCA’s genetic code for basic biological functions, such as translating DNA and creating proteins. Constant genetic mutations shuffled and altered this inheritance and added new genetic material—a process that created the diversity of life we see today. The “tree of life” organizes all organisms based on the extent of shuffling and alteration between them. The full tree has millions of branches and every living organism has its own place at one of the leaves in the tree. The simplified tree shown here depicts all three kingdoms of life: bacteria, archaebacteria and eukaryota. For some organisms a grey bar shows when they first appeared in the tree in millions of years (Ma). The double helix winding around the tree encodes highly conserved ribosomal RNA genes from various organisms.

Johnson, H.L. (2018) The Whole Earth Cataloguer, Sactown, Jun/Jul, p. 89

An article about keyboard layouts and the history and persistence of QWERTY.

My Carpalx keyboard optimization software is mentioned along with my World's Most Difficult Layout: TNWMLC. True typing hell.

McDonald, T. (2018) Why we can't give up this odd way of typing, BBC, 25 May 2018.

The theme of the April issue of Molecular Case Studies is precision oncogenomics. We have three papers in the issue based on work done in our Personalized Oncogenomics Program (POG).

The covers of Molecular Case Studies typically show microscopy images, with some shown in a more abstract fashion. There's also the occasional Circos plot.

I've previously taken a more fine-art approach to cover design, such for those of Nature, Genome Research and Trends in Genetics. I've used microscopy images to create a cover for PNAS—the one that made biology look like astrophysics—and thought that this is kind of material I'd start with for the MCS cover.

A map of the nearby superclusters and voids in the Unvierse.

By "nearby" I mean within 6,000 million light-years.